F.J.E. Raby's A History of Christian-Latin Poetry (Oxford University Press PDF

By F.J.E. Raby

ISBN-10: 0198143249

ISBN-13: 9780198143246

ISBN-10: 0585304572

ISBN-13: 9780585304571

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The earlier rhythmical verse was a kind of prose, with no fixed accentual rhythm carried throughout the line, although, as in Augustine's Psalm, there might be a regular cadence in the middle and at the end of a line. The nearest parallel to this rhythmical system is to be found in the rhetorical prose of classical times which followed elaborate rules, based on quantity, for the ending of clauses. 1 Progress towards verse of definitely rhythmical structure was slow, but it was naturally aided by the possibility of imitating trochaic and iambic schemes.

Paranikas, Anthologia graeca carminum christianorum, Leipzig 1871, p. 40. 2 J. Mearns, The Canticles of the Church in Early and Medieval Times, Cambridge 1914; article Cantiques in Cabrol's Dictionary. H. Bernard, The Odes of Solomon, Texts and Studies, viii, iii, Cambridge 1912. Bernard's views are not, however, generally accepted, especially in Germany, where the tendency is to minimize the 'specifically Christian' element in the Odes to the benefit of Gnosticism or a 'Judaizing Gnosis'. C. Burkitt, Early Eastern Christianity, London 1904, pp.

1 But only the prayers of morning, evening, and night took place in church; the remaining hours, though obligatory, were private. Lauds and Vespers had always occupied a special place in the services of the Church, but the monks began to attach a similar importance to the nocturnal prayer. The manner in which they gave this emphasis varied in Egypt and in Syria. The Egyptian monks withdrew their morning office to the night time, making of Lauds an office which we should recognize as Matins, while 1 Ps.

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A History of Christian-Latin Poetry (Oxford University Press Academic Monograph Reprints) by F.J.E. Raby

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