Download e-book for iPad: Audio Production Worktext: Concepts, Techniques, and by David Reese, Lynne Gross, Brian Gross

By David Reese, Lynne Gross, Brian Gross

ISBN-10: 0240810988

ISBN-13: 9780240810980

Offering perception into the impression media convergence has had at the radio undefined, this re-creation supplies an outstanding advent to the fashionable radio creation studio, the gear present in that studio, and the fundamental options had to accomplish radio creation paintings. New chapters addressing the fundamentals of box recording, creation making plans, and sound for video are integrated, in addition to a renewed emphasis on not only radio construction, yet audio creation. that includes a worktext layout adapted for either scholars and academics, self-study questions, hands-on tasks, and a CD with undertaking fabric, quizzes, and demonstrations of key recommendations, this booklet bargains a high-quality beginning for an individual who needs to grasp extra approximately radio/audio gear and construction concepts. * formerly titled Radio construction Worktext, this new version gains certain emphasis at the impression of media convergence, stressing the subject matter that audio content material is now applied on a number of systems, whereas nonetheless supplying a radical creation to the trendy radio construction studio, gear, and strategies to complete radio construction paintings * handy, hands-on worktext layout presents a whole source for studying and educating * better half CD-ROM offers undertaking fabric, quizzes, and demonstrations of key audio ideas and ideas

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Extra info for Audio Production Worktext: Concepts, Techniques, and Equipment

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For most analog equipment, an S/N of around 60 dB is considered good quality; modern digital equipment can show an S/N ratio of 98 dB. The S/N gives an indication of the equipment’s ability to reproduce sound cleanly. Distortion is an unwanted change in the audio signal due to inaccurate reproduction of the sound. 11 The production of sound requires vibrations, which are transmitted through a medium to a receiver. is loudness distortion, which can occur when a signal is recorded at a level that is too loud for the equipment to handle.

2d. No. Hoaxes are out of bounds for anyone. ) 3d. No. A sense of humor is a good trait in most occupations. ) 4d. Wrong. Dead air is no sound at all. ) 5d. No. A slug is part of a script form but not a script itself. ) 6d. Yes. This is the correct answer. 7d. Wrong. You are not on the right track. ) 8d. Correct. This would be an example of a demographic you might use as a target audience. 9d. No. Laws are codified, but ethics aren’t. ) 10d. Wrong. “Volume” refers to loudness. ) 18 Projects PROJECT 1 Undertake Production Planning for a 15-minute Interview Show.

We can’t actually see sound waves, but they act very much like water waves as we’ve noted. 12C) is used to represent a sound waveform, because it can readily show the wave compression (the higher pressure portion of the wave above the center line) and the wave rarefaction (the lower pressure portion of the wave below the center line). 14 KEY CHARACTERISTICS OF SOUND WAVES There are four key characteristics of sound that help determine why one sound is different from another: amplitude, frequency, timbre, and the sound envelope.

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Audio Production Worktext: Concepts, Techniques, and Equipment by David Reese, Lynne Gross, Brian Gross

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